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Finally, we note the excellent performance of the Capitol Orchestra, which demonstrates cohesion, accuracy and precision, responding with prominence to the solicitations of the Italian conductor Attilio Cremonesi. Leading his musicians with great dynamism and theatrical sense, he nonetheless remains very attentive to all the inflections of young singers, being careful not to ever cover any.

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Attilio Cremonesi, accustomed to bringing the Austrian composer’s work to Toulouse, wears enthusiastic direction throughout the three hours of opera, displaying a permanent smile. The accompaniment remains discreet all the same, all the instrumental passages except the opening being staged and accentuating the comic effect of the piece.

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