{"id":1416,"date":"2021-12-27T17:51:55","date_gmt":"2021-12-27T16:51:55","guid":{"rendered":"https:\/\/www.attiliocremonesi.com\/musical-criticism\/"},"modified":"2022-01-13T10:18:19","modified_gmt":"2022-01-13T09:18:19","slug":"reviews","status":"publish","type":"page","link":"https:\/\/www.attiliocremonesi.com\/en\/reviews\/","title":{"rendered":"REVIEWS"},"content":{"rendered":"
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Read some of the music criticisms published on the events directed by Attilio Cremonesi<\/h2>\n[\/vc_column_text]
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“Dardanus” by J. P. Rameau – Bonn Opera House<\/div><\/div><\/a><\/div>
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“Dido and Aeneas”, by H. Purcell – Berlin State Opera<\/div><\/div><\/a><\/div>
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“Juditha Triumphans”, oratorio by A. Vivaldi – Sydney City Hall<\/div><\/div><\/a><\/div>
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“Symphonic Concert”, Baroque and Preclassical Program – M\u00fcnster Opera House<\/div><\/div><\/a><\/div>
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“Il Ratto del Serraglio”, by W. A. \u200b\u200bMozart – Theater of Basel<\/div><\/div><\/a><\/div>
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“Romulus and Ersilia”, J. A. Hasse – Innsbruck Early Music Festival, Herne Days of Early Music<\/div><\/div><\/a><\/div>
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“Die Sch\u00f6pfung”, F. J. Haydn – Beethoven Hall in Bonn<\/div><\/div><\/a><\/div>
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“Dido and Aeneas”, H. Purcell – La Fenice Theater in Venice<\/div><\/div><\/a><\/div>
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“Julius Caesar”, G. F. Handel – Klagenfurt Opera House<\/div><\/div><\/a><\/div>
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“Antigone”, T. Traetta – Kammeroper of Vienna<\/div><\/div><\/a><\/div>
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“Cos\u00ec Fan Tutte”, W. A. Mozart \u2013 Capitol Theater in Toulouse<\/div><\/div><\/a><\/div>
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“Don Giovanni”, W. A. Mozart \u2013 Capitol Theater in Toulouse<\/div><\/div><\/a><\/div>
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“Le Nozze di Figaro”, W. A. Mozart \u2013 Capitol Theater in Toulouse<\/div><\/div><\/a><\/div>
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“Alcina”, G. F. H\u00e4ndel \u2013 M\u00fcnster Opera House<\/div><\/div><\/a><\/div>
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“Il Turco in Italia”, G. Rossini \u2013 Th\u00e9\u00e2tre du Capitol Toulouse<\/div><\/div><\/a><\/div>
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“Le Nozze di Figaro”, W. A. Mozart \u2013 Municipal Theater of Santiago de Chile<\/div><\/div><\/a><\/div>
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Symphony concert with the Beethoven Orchestra of Bonn – Aula of the University of Bonn<\/div><\/div><\/a><\/div>
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“La Cenerentola”, G. Rossini \u2013 Mannheim National Theater<\/div><\/div><\/a><\/div>
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“La Pietra del paragone”, G. Rossini \u2013 Musikhochscule Freiburg<\/div><\/div><\/a><\/div>
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“Jazziah, The Messiah realoded”, G. F. H\u00e4ndel, D. Caliri \u2013 Bern \u2013 Halle<\/div><\/div><\/a><\/div>
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“Don Giovanni”, W. A. Mozart \u2013 Municipal Theater of Santiago de Chile<\/div><\/div><\/a><\/div>
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“La Clemenza di Tito”, W. A. Mozart \u2013 Capitole Toulouse Theater<\/div><\/div><\/a><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1596814499871{background-color: #f2f2f2 !important;}”][vc_column][vc_column_text responsive_text=”true” text_align=”center” css=”.vc_custom_1596814212295{border-bottom-width: 20px !important;}”]\n

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“Dardanus” by J. P. Rameau – Bonn Opera House<\/h3>\n[\/vc_column_text]
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Attilio Cremonesi had the Beethoven orchestra well under control, let it play pointedly, tonally and rhythmically sharpened.<\/p>\n

[Rhein-Sieg Anzeiger]<\/span><\/em><\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row disable_element=”yes” css=”.vc_custom_1596812733063{margin-bottom: 80px !important;padding-top: 50px !important;}”][vc_column]