The Italian teacher Attilio Cremonesi once again proved to be very well connected with the Santiago Philharmonic, achieving a successful balance between the pit and the stage, highlighting the beauty and contrasts of the score, attentive to the theatrical. Cremonesi’s directing was one of the best of the premiere, and he allowed himself to try interesting and not so traditional elements, such as the accompaniments to the recitatives, more expressive and descriptive than usual.
