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… Mozart’s music for whose blazing emotions the Italian Attilio Cremonesi has a practiced knowledge and a subtle ear. Cremonesi conducts the piece so permeably for its rhetoric, the pulsating affects, as one has hardly heard them so “speaking” before. He and the Kammerorchesterbasel create a vital sound language in which the musical moments of expression are shaped and at the same time broken up – through many variations and decorations, fermatas, pauses and small improvisations, in the orchestra and with the singers. Vibrant liveliness is a musical imperative.

[Süddeutsche Zeitung]
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