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From the first note, maestro Attilio Cremonesi set the tone in the sound and we realized that the Philharmonic Orchestra was not the same as always. It had a dry, cutting sound, almost no vibrato, a baroque sound almost like using only original instruments. Very avant-garde, great concertmaster, successful consolidation work, an even and disciplined sound marked this version of “Las Boda de Figaro” in the orchestral part.

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